1194 Days Without a Tongue Kiss. Last Time it was 1721. 314 Days Without a Date. Last Time it was 945. 19 Days Without Erotic Eye Contact., 2005
DVD, DVD player, projector, and canvas
Variable dimensions
Exhibition
Private Corporate III, DaimlerChrysler Contemporary, Berlin 2005 · Austrias, Städtische Galerie Nordhorn, Nordhorn 2005 · What Doesn’t Fit, Nunnery Gallery, London 2005 · Conversation with Art, on Art. Bauhaus to Contemporary Art –DaimlerChrysler Collection, Tokyo Opera City Art Gallery, Tokyo 2006 · Biennial Cuvée, Offenes Kulturhaus, Linz 2006 · Don’t Waste Time with Perfection!, Österreichisches Kulturforum, Prague 2007 · Could Have also Been Another Good Exhibition, Museum Moderner Kunst, Vienna 2007 · Mediations, Biennial Posznan, Posznan 2008 · Video Portrait, Total Museum of Contemporary Art Seoul, Seoul 2017 · Photo Macau, Art Fair Macau 2018 · Sound on the 4th Floor, Daimler Contemporary, Berlin 2019 · Greetings to My Father, My Mother, and Especially My Parents, Schlossmuseum Linz, Linz 2023
Bibliography
Social Interest Is Actually also Present, ed. by Ralph Melcher, Saarlandmuseum, Saarbrucken 2005, p. 32, p. 33, p. 34 · Austrias, ed. by Roland Nachtigäller, Städtische Galerie Nordhorn, Nordhorn 2006, p.24, p. 27, p. 30 · What Doesn´t Fit, ed. by Oliver Zybok, The Nunnery Gallery, London 2005, p. 16 · Biennial Cuvée, ed. by O.K Centrum für Gegenwartskunst Oberösterreich, Linz 2006, p. 14 · I Can Hypnotize! What Can You Do?, ed. by Sammlung Ploner, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna 2007, p. 20, p. 21, p. 30, p. 31, p. 38, p. 39, p. 81 · Could Have also Been Another Good Exhibition…, ed. by Verlag Walther König, Köln, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna 2007, p. 94, p. 95 · Mediations Biennial, ed. by Tomasz Wendland, Centrum Kulury Zamek, Poznan 2008, p. 377 · Blitzen Benz Bang. Daimler Art Collection – Mixed Media, Sculptures, Commissioned Works, ed. by Renate Wiehager, Hatje Cantz Verlag, Daimler AG, Berlin, Ostfildern 2009, p. 481 · I Actually Paint Quite Differently, I just Don’t Get Round to It That Often, ed. by Leinemann-Stiftung für Bildung und Kunst, Hamburg 2017, p. 107, p. 182, p. 334 · Sot4thF (Sound on the 4th floor), ed. by Renate Wiehager, Daimler AG, Berlin 2019, p. 79