Vista 016

Mis pinturas son las cenizas de mi arte (según Palermo), 2001

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Variable dimensions

Exposiciones

Förderkoje, Art Cologne – Galerie Michael Janssen, Cologne 2001 · Honesty Knows no Bounds, Galerie Mezzanin, Vienna 2002 · Private Corporate I, DaimlerChrysler Contemporary, Berlin 2002 · .arcadia, Kunsthaus Baselland, Basel 2002 · The Daimler Art Collection, Museum for Contemporary Art (ZKM), Karlsruhe 2003 · The DaimlerChrysler Collection, Museum Afrika, Newtown Johannesburg 2004 · The DaimlerChrysler Collection, South African National Gallery, Capetown 2004 · Could Have also Been Another Good Exhibition, Museum Moderner Kunst, Vienna 2007 · Drawing Sculpture, Daimler Contemporary, Berlin 2009

Bibliografía

.arcadia, ed. by Christoph Merian Verlag, Kunsthaus Baselland, Basel 2002, p. 15, p. 22, p. 57, p. 67, p. 72, p. 114, p. 115, p. 116, p. 117 · Parnass – Garden Art Artist Garden, Issue 1, ed. by Charlotte Kreuzmayr, PARNASS Verlag Ges.m.b.H., Vienna 2002, p. 164 · Private/Corporate, Works from the DaimlerChrysler Collection and from the Collection Paul Maenz: A Dialogue, ed. by Renate Wiehager, DaimlerChrysler AG, Berlin 2002, p. 35 · The Magical I – Kunstforum Bd. 163, ed. by Dieter Bechtloff, Ruppichteroth 2003, p. 146 · Social Interest Is Actually also Present, ed. by Ralph Melcher, Saarlandmuseum, Saarbrucken 2005, p. 21, p. 94 · Parnass – Noble Collections, Issue 2, ed. by Charlotte Kreuzmayr, PARNASS Verlag Ges.m.b.H., Vienna 2005, p. 120 · I Can Hypnotize! What Can You Do?, ed. by Sammlung Ploner, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna 2007, p. 51, p. 135 · Could Have also Been Another Good Exhibition…, ed. by Verlag Walther König, Köln, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna 2007, p. 234, p. 235 · Blitzen Benz Bang. Daimler Art Collection – Mixed Media, Sculptures, Commissioned Works, ed. by Renate Wiehager, Hatje Cantz Verlag, Daimler AG, Berlin, Ostfildern 2009, p. 483 · I Actually Paint Quite Differently, I just Don’t Get Round to It That Often, ed. by Leinemann-Stiftung für Bildung und Kunst, Hamburg 2017, p. 68, p. 183, p. 259